Multicultural Female Identity in Jean Kwok’s Novel Girl in Translation

Authors

  • Tsabita Tuffahati Gunadarma University
  • Suardi Suardi Universitas Gunadarma

DOI:

https://doi.org/10.47709/ijeal.v5i2.6534

Keywords:

cultural discourse, foucault, gender, immigrant identity, power relation

Abstract

The study explores the power relations embedded within the construction of female identity in Girl in Translation, a novel portraying the immigrant experience of Kimberly, a young Chinese girl who relocates to Brooklyn, New York. Confronted by cultural barries and socioeconomic hardship, Kimberly’s journey reveals tensions surrounding gender and societal expectations. Employing a qualitative approach under a constructivist paradigm, this reasearch applies Michel Foucault’s theory of power to analyze the depiction of gender dynamics in the narrative. The findings indicate two distinct manifestation of power; epistemic power, shaped through discourse and informal knowledge, and corporeal power, exercised over the body. These forms of domination influence patterns of thought and behavior within male-female relationships, as illustrated through Kimberly’s personal and social interactions. Ultimately, the study highlights how the novel critiques normative structures and foregrounds the subtle mechanisms of control within everyday life.

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Published

2025-08-01

How to Cite

Tsabita Tuffahati, & Suardi, S. (2025). Multicultural Female Identity in Jean Kwok’s Novel Girl in Translation. International Journal of English and Applied Linguistics (IJEAL), 5(2), 127–134. https://doi.org/10.47709/ijeal.v5i2.6534